The LFO will gradually change to a Saw wave over time, making the rhythm much more obvious.When you purchase through links on our site, we may earn an affiliate commission.
Cakewalk Z3Ta Vst Programs To Help Mod Sources AndIn this walkthrough, were going to build a throbbing, beefy bassline in Z3TA2, drawing on various mod sources and targets.Cakewalk Z3Ta Vst Programs To Help How To Really GetVolume, frequency and filter modulation - no parameter is left unwobbled as we show you how to really get that bottom shaking.
Step 1: Load Cakewalk Z3TA 2 in your DAW, then go to ProgramInitialise to completely reset the synth. In the Oscillator section, click Osc 1s wave type box and browse to InstrumentsOrgan 2, then click on Osc 2 and load in OthersFMish (as shown). Turn up the Octave setting to 1 and change mode to NormalFree. Move Osc 2s Filter slider all the way up to 1 to send the whole signal through filter 1. Step 2: Go back to Osc 1 and change the Group setting to FM - this means that Osc 1s output is being used to modulate the frequency of Osc 2; that is, frequency modulation. Transpose it down an Octave to -1 and turn its Level down to 1.5. Youll hear the effect its having on Osc 2 if you hold down a note while you do this. Nasty Step 3: Lets use an LFO to modulate Oscillator 2s level, for a cool pulsing effect. In the modulation section at the bottom of the synth, click first Source cell box and select LFOLFO 1. Set the Destination to OscillatorsOsc 1 Level and bring up the Range slider to 80. Now change LFO 1s Wave 1 to Sine and set the Speed slider to around 0.62Hz. Step 4: To give our sound some low-frequency sub bass weight, head to Osc 3 and set the Wave type to Generated Sine at the bottom of the menu. Now move Osc 3s Filter slider all the way down to FLT 2 to send the entire Osc 2 output signal to Filter 2. Step 5: We can now modulate a band-pass filter over the mid-range FM oscillator (sent to Filter 1), leaving the sine wave sub unfiltered and clean. In the Filters section, change Filter 1s Type to 24dBoct BPF and set the Cutoff knob to 142Hz. Set the Amount slider to 100, turn the Sustain Level knob to 0 and move the Sustain Time knob to 0.34s. Youll hear the filter closing quickly on the mid-range part of the sound, creating a nice punch-in effect. Back in the Modulation section, set Source 3 to LFOLFO2, set the Destination to Filter 1 Cutoff, and Range to 55. To introduce the LFOs effect after our initial envelope punch in, set LFO 2s Delay knob to 0.46s. Set the LFO speed to taste. Now we have even more movement Step 8: To make the sub sit better with our throbbing, moving mid-range, we can modulate it too. To do this, go back to modulation Source 4, set it to LFOLFO 2, with the Destination as Osc 3 Level, and turn the Range to 100. It will sound terrible, as the sub is completely out of sync with the rhythm of the sound - to fix this, change its Curve type to Bi-Linear. Now it sounds really cool Step 9: Finally, set LFO 2s Wave 2 to Saw Down, move the Time slider up to around 0.32s, and set the Phase to 0 degrees.
0 Comments
Leave a Reply. |